Thursday, October 24, 2013

What Is Lost, by Nicholas Bruner

And Jesus was a sailor 
When he walked upon the water 
And he spent a long time watching 
From his lonely wooden tower
And when he knew for certain
Only drowning men could see him
He said "All men will be sailors then 
Until the sea shall free them" 
-- from Suzanne, by Leonard Cohen


***

Man, do writers have it easy.  Set your own hours.  Doodle away on the keyboard for half a day, waiting for the mailman to arrive with your big check from the publisher.  Don't forget to set aside some time for all the magazine interviews.  Oh, and you have that cushy book tour coming up, too, with all those reservations for five-star hotels and fine restaurants in glamorous cities.

Okay, maybe you don't think of the writing life that way.  You're realistic.  You know it's hard work.  But you're ready for it.  After all, nobody ever achieved success without putting the old nose to the grindstone, right?

But I bet you still haven't thought of everything.  You haven't considered what you have to lose.

Lose?  What's to lose?  Sure, you'll have to sacrifice some evenings to get the manuscript done, but who cares about missing a little TV?  What else is there to lose?

Your career, for one.  After all, you just have your day job to pay the bills until you finish your novel.  So when your boss asks if you can work late, you turn him down.  Who has time for that?  You have something more important waiting for you at home--your writing.  Your colleagues think you're unambitious.  But who cares what they think?  They'll realize why you were so uninvolved with your work when they see your name on the New York Times bestseller list.

Except that first novel doesn't sell.  Nor does the second.  And now five years have passed, and you're working on that third novel, and the boss has passed you over for promotion, and your colleagues whisper behind your back.  Hey, if things aren't working out here, maybe you could move to a different job.  Except, who's going to write the recommendation for the distant employee who was never really interested in being in the office?

But not everyone is cut out for a career, right?  You still have your family.  Sure, you spend a lot of time locked away in the computer room, night after night, pecking away at those keys, and when the kids interrupt your writing time, you get so grumpy.  Not that they bother, after awhile.  They find somebody else to read them their bedtime story.  It's okay, though, once the money starts coming in, you'll make it up to them.  And after writing for six months, that might be possible.  But after writing for years?  When you've been holed away long enough, they forget all about you, the family troll in its cave.  Don't disturb it, it's been known to bite.  And the odor!  When was the last time that thing bathed?

You know, never mind the kids, your spouse will always have faith in you.  Your spouse, who was so loving, so supportive when you started this project.  Except, by the third novel, the fourth, the fifth--well, that's a lot of lonely nights.  And if your spouse finally has enough and walks out the door, who's really to blame?  The wedding vows speak of sticking together through sickness and health, good times and bad, but they don't have anything to say about disappearing from the real people in your family so you can spend time with the fictional ones on the page.

OK, sad to say, relationships aren't you're strong suit.  No matter.  You're an idea person, a word person.  That's why you got into writing in the first place, isn't it?  Because you love to read.  Books were always there for you when people weren't, and nothing is better than curling up with a good one.  Are you a mystery fan?  Or do you prefer science fiction?  Maybe you like to read the great novels, really getting into the deep questions about life and love and the beautiful language.  What could be a better complement to your reading than writing?  Yeah, you'll get to that stack of books later tonight.  Right after you get this paragraph perfect.  Shouldn't take too long....  Okay, it took two hours, and now it's late.  Well, there's always tomorrow.  Or maybe the next day.  Or perhaps next week....

So you've lost your job, your family, your personal time.  You still have one, very important thing: your self-confidence.  Nothing's going to stop you from achieving your goal.  Except those pesky agents and publishers, that is.  Rejection after rejection.  They do pile up, don't they?  And your optimism drains away with each plot hole you can't fill.  Why is it no matter how long and hard you work, how many metaphors you formulate, how many scenes you nail, your writing never seems to achieve its potential?  You know it can be better, but you can just never reach it.  Stupid!  How much of an idiot do you have to be not to get it right after three novels?

Eventually your dreams die.  A tree that's never watered doesn't bear fruit.  You didn't ask for much, really.  At first, fame and fortune seemed within reach, but later, all you wanted was to see one of your books on the shelf.  But that victory never comes and never comes and never comes, and the dream withers, and finally you reach a point where even if the success did come, it wouldn't mean anything after all the failures.


***

We know from the Bible Jesus was a carpenter.  He found men rough, unfinished, and sanded and sawed and fitted them together, until he built chairs and tables.  And with those chairs and tables, he had a supper, and though it was his last one, the things he had built lasted.

But Jesus must have been something of a fisherman too.  He certainly knew quite a few, to whom he said, "Come with me, and I will make you fishers of men."  And with him they went.  He pulled men in by the thousands and landed them on his craft, the Good Ship Salvation.

As for me, I believe God is a writer.  After all, when he saw how his first draft turned out, he tore it up, sending a great flood to destroy it.  I know the urge.

He certainly has a way with his characters.  He creates them, breathes life into them, sends them forth onto the paths he has planned for him.  As characters tend to do, they don't always go the way he intended.  My characters surprise me all the time.  How is that possible, if they're only fiction?  Sometimes I gnash my teeth at how my characters refuse to behave.  Of course, you have the power to make them do as you wish, but a good writer honors their integrity.  And you know, in the end, sometimes their unexpected choices have made the story stronger.

We were made in God's image, and when we write, we're coming as close to God as we'll ever get.  He's the author of all Creation, and we're the author of our creations.  We establish our little world, populate it, people it, allow our creations the freedom to bite the apple, if they dare.  We provide the challenges that will let our heroes shine, and throw in a little romance, villains, and adventure.  We work in some themes and pack the pages with imagery.  And when we get to the end, we provide justice: in a satisfying story, the good are rewarded, the evil punished, and all have a chance to redeem themselves.

And so it is with the book God is writing, the story of Everything.  After all, "In the beginning was the Word, and the Word was with God, and the Word was God."  Amen.

Cross-posted on the Ballad of Nick's Blog.

Monday, September 9, 2013

Grandmother's Day Event!

Here are some pictures from our Grandmother's Day event on 9 September!

 (Above) Here are the pictures and treasures related to everybody's grandmothers.
 (Above) The Writers of Chantilly anthologies
(Above) Here all the books our authors have written.  Impressive!
 (Above) Members of the WoC

  (Above) More members.  A good-looking bunch!
(Above) The very talented winners of the Grandmother Writing contest!

Sunday, August 11, 2013

June 15 Luncheon








Writers of Chantilly had a luncheon on June 15 2013 at the Cayote Grill in Centreville. A jolly time was had by all. In attendance were: Ruth Perry, Pamela Henne, Nina Seebeck, Pat Williams, Rebecca Thompson, Diane Hunter, Edgar Brown, Kalyani Kurup.

We will be holding another luncheon in the Fall. 

Wednesday, August 7, 2013

WOC EVENT: National Grandparents Day Author Reading & Outreach 9/8/2013

National Grandparents Day Author Reading 
& Outreach Event
Sponsored by the Writers of Chantilly

Sunday, September 8, 2013
2—4:30 p.m.
Chantilly Regional Library

Nana…and other Grandmothers By: The Writers of Chantilly

The Writers of Chantilly, a not-for-profit organization of local professional and aspiring writers in Chantilly, Virginia, will host an author reading and outreach event at the Chantilly Regional Library on Sunday, September 8, 2013, to celebrate National Grandparents Day.

Members of the Writers of Chantilly will read selections from their most recent book, Nana…and Other Grandmothers, and area high school students who participated in a National Grandparents Day writing contest sponsored by the Writers of Chantilly will read their original stories, essays and poems about grandparents. Students will be recognized and read their winning entries starting at 2:50 p.m.

The free event will take place at the Chantilly Regional Library, 4000 Stringfellow Road, Chantilly, VA, 20151, from 2—4:30 p.m. in the meeting room (drop in at any time during the program). Limited copies of Nana…and Other Grandmothers will be available for purchase at the event to support the Writers of Chantilly (cash or check, please). Bring your family and support local writers of all ages. Light refreshments served.

About the Writers of Chantilly

The Writers of Chantilly meet twice monthly at the Chantilly Regional Library in Chantilly, VA, to encourage and support writers at all levels—newcomers warmly welcomed. WoC has published several story collections over the last 11 years, the most recent being Nana…and Other Grandmothers, available on Amazon.com or through the Fairfax County Public Library system. Contact: wocruthbox@gmail.com; Web: http://writersofchantilly.blogspot.com

Saturday, July 20, 2013

Press on, yield pen

I run the risk of sounding boringly basic and amateurish. However, might as well pen some typical questions that  peck away at me (or should).

Am I writing? 
Am I writing consistently? 
Am I sharing it?
Can I commit to a writing schedule? 
Do I need to change my writing space/time/habits?
Do I have a goal this week? This month? 2013 goals? Am I on track? 
Do I feel satisfied or proud or discontent or frustrated with my work?
Is my voice authentic?  What is missing in my writing?
What does my attitude lack? Better yet: What the hell is WRONG with my attitude?
Where am I with the last piece I wrote? Is it complete or does it need rewrites? 
Should I take a class? What class? 
Should I try a contest? 
Do I want to start a blog? Am I keeping up my blog?

I could go on!

Last year, asking myself the FIRST question (over and over again), I was petulant. I beat myself up because I wouldn't write. More accurately, I refused to write. It's not worth going into the whys because that is old. Dull. Whiny. This year it's about forcing answers from myself by taking action. I have to, want to, need to be accountable. For real. Realizing that my only audience, me, was so over the baseless and silly sulking, I decided to get a grip and change my attitude. I'm talking about years of crappy attitude, being small-hearted, fearful and frozen. I was running away from work, from words. No one noticed or cared. Our insecurities are self-inflicted. Worst of all, they are long monotonous moans. No one is captivated.

I am shutting down the drama fest. I quit bleating. Don't have to be brave, I just pick up a pen. It is that simple. Blather, I do. Awkward and aimless, I can be. Feeble, I feel. But it is a start. Don't have to be bold and brazen, I just have to write and not bitch. Even long blank-page-staring is very acceptable; it is good noble suffering. Feeble words and sentences make me cringe but I'll figure out their stamina. Angst filled, I stumble down this writer path that may never lead to an arena. I'll bleed. I'll scar. But it beats the useless, senseless writhing and moaning into the void. Press on, yield pen. Finally.
@thewriterpath.

Friday, July 12, 2013

About Our Members: John C. Stipa





John C. Stipa is a corporate analyst who loves the beach, woodworking, playing and coaching sports, traveling, good food and storytelling. He is the author of adventure / mystery / romance novels including The Foiled Knight and No Greater Sacrifice. He has also published several short stories with his writing group: The Writers of Chantilly. Currently, John lives in Virginia with his family working on his next project.











Books by John:


The Foiled Knight, a tale of enduring loyalty


Tanya Davis receives that dreaded late night phone call: Stan Palmer has been critically injured in a car accident. Stan and Tanya were once close. That is, until she broke his heart, an act of cowardice for which she’s never forgiven herself. Given a second chance to make up for her past wrongdoings, Tanya digs into the facts surrounding Stan’s accident. What initially looks like icy road conditions turns into a suspicion that someone wants Stan dead. To complicate matters, Tanya has medical power of attorney for Stan, causing friction with the Palmer family. With Stan’s lifeblood ebbing away, the legal system closing in, and danger lurking, can Tanya redeem herself and save her Foiled Knight?
Click the image to download:



Reader Reviews:



5.0 out of 5 stars a fun ride!, June 23, 2013 by Sunny from Virginia

Life is complicated, but ohhhh sooo interesting, just like this book! Tanya's relationship with Stan and the relationships of everyone huddled around that hospital bed will keep you turning the pages of this book. Stipa throws down some breadcrumbs for you to follow, but should you believe everything you read? It's up to you, go ahead and enjoy this book!




No Greater Sacrifice, an adventure, mystery, romance


When archaeologist Renée d'Arcadia is summoned to France for the reading of a will, she is plunged into a maelstrom of deceit and destruction. Her challenge: solve a 100-year-old mystery originating from a sinister church where nothing is as it seems. Renée joins forces with David Arturo, an ex-helicopter pilot with a troubled past, to interpret clues cleverly hidden in tombstones and classic works of literature to find artifacts scattered across Europe. Racing against time, Renée and David must overcome their inner demons to outmaneuver a network of evil bent on destroying them. What they find in each other just might provide answers to some of mankind's oldest myths.
Click the image to download:

Reader Reviews:


5.0 out of 5 stars An exhilarating ride! A thrilling page turner! Move over, Dan Brown, 
John C. Stipa's in town!, By Gary Val Tenuta, December 29, 2009

John C. Stipa's debut novel, "No Greater Sacrifice" is in the genre of Dan Brown's "The DaVinci Code", "Angels & Demons" and "The Lost Symbol" but is totally original in concept and plot and takes no back seat to any of them. This thing rocks! Take the elements that made those stories so wildly popular, mix them with all of the elements that thrilled fans of the Indiana Jones adventures and you get the tremendously satisfying thrill ride called "No Greater Sacrifice" by John C. Stipa.

This book is a top-notch, exhilarating and (dare I say?) "brilliant" page-turner that kept me up until the wee hours several nights in a row. The plot is complex and deftly crafted. The twists and turns come at a furious pace. The two main characters (charming, ex-helicopter pilot, David Arturo and the sexy, adventurous archaeologist Renée d'Arcadia) have genuine emotional depth. The mystery they're confronted with is a real puzzler steeped in ancient mythology and esoteric lore. The narrative moves along at a quick pace. The action scenes explode across the page with tremendous descriptive power. The writing is impeccable. The final quarter of the book is hold-on-to-your-seat stuff and the ending is worth every minute it took to get there. Have I left anything out? Did I mention this thing rocks? Strap yourself in and hang on. You're in for a terrific ride.

From WOC Author Nick Bruner: The Importance of Not Flinching

Tuesday, January 29, 2013

Now we come to what I think is the most important rule of all for a writer: Don't flinch.

Everything you see and experience can be used in your writing, but you must have your eyes open to see it.  Be aware of your surroundings.  Listen to what others say, and how they say it.  Don't talk much yourself, but draw others out on what they think and believe.  Be open to new experiences, different ways of doing things.  Travel.  Become friends with different types of people.  Even if it's hard, even if you're shy, do it for your writing.  Don't flinch.

Sometimes you'll see something happening that's wrong.  If you can alter it, by all means intervene.  But maybe you can't really do anything about it, or your interference would only make things worse.  If you're a writer, your job isn't over in that case.  Keep looking.  You can use it later.  When others learn of it, they may have the means to act.  Whatever you do, don't flinch.

When you start writing, and you're putting your thoughts and ideas on paper, you may come to a part that's emotionally difficult.  Maybe your characters will say ugly things, or uncomfortable events may transpire.  Let them.  This is the part that others need to read.  They need to know others have thought those thoughts, or felt those feelings, or had those things happen to them.  The ugliness and discomfort need to be out in the open.  If it's ugly and needs to be killed, how can you do that if you can't even see it?  But sometimes, something you thought was ugly turns out to be beautiful once you really look at it.  You have to see it to know.  Don't flinch.

Perhaps you're writing escapist fiction.  Shouldn't you leave the ugly and uncomfortable out?  After all, people sometimes just want to read something for fun without all that real world stuff in there.  You'll have to use your judgment, but I would point out that some of the world's great escapist literature had a lot of uncomfortable truth.  Think of Huckleberry Finn, on one level a boys' adventure story, on another a penetrating look at attitutes towards race.  And even in escapist fiction, characters still have to follow their own nature.  Plots still have to unwind plausibly.  Sometimes that means they don't quite go where you want them to.  Don't flinch.

Maybe you're writing a book for children.  Of course there is material that's inappropriate for kids.  That's why fairy tales disguise uncomfortable truths in magic.  Once you break it down, is there any story, anywhere, harder and more clear-eyed than Hansel and Gretel?  Perhaps Lolita, but not much else.  And it's a fairy tale!  Even when writing for children, don't flinch.

Once kids are older, they can handle a lot, probably more than you think.  I well remember the smart kids in the seventh grade passing around Flowers in the Attic.  That book was truly lurid, with themes of bondage and incest, but we ate it up.  Probably not the healthiest thing for us to read, but we weren't corrupted.  If anything, it provided us a few pieces in putting together the puzzle that was sex.  It doesn't matter that it was trashy, we knew that, and knew it wasn't something emulate.  We were wide-eyed, and willing to consume anything that might help us understand.  Better were the YA novels of, say, Judy Blume.  Heavy, sexual subject matter, but treated with sensitivity.  That's how you should do it.  But whatever you do, don't leave it out.  Don't flinch.

In the post on writing breakout novels, I think I mentioned how that book describes debut novels, and novels by authors who haven't broken out, as feeling small.  I believe one key to overcoming the smallness is being willing to turn the light of fiction on those dark corners that many are afraid to peer into.  Even if monsters lurk there, even if ghosts pop out, whatever you do, don't flinch.